Pain Has An Element Of Blank Essay Example For Students

Pain Has An Element Of Blank Essay Pain has an element of blankAlthough cryptic in language and structure, Dickinson gives her work an instinctually vivid sense of emotion. Her examination of the feeling of pain focuses in on only a few of the subtler nuances of pain that are integral parts of the experience. She draws in on an Element of Blank that she introduces in her opening line. In exploring pain, she proposes that this blankness is a self-propagating force that is subject to the dynamic forces of time, history and perception, but only to an extent. Her first mention of Pain in the first line does not distinguish this particular emotion as being of a particular brand of pain. She substitutes no other words for pain. By suggesting no other words for pain, she chooses the most semantically encompassing term for the emotion. She thus gives her work the responsibility of examining the collective, general breadth of pain. Her alternatives offer connotations that color her usage of Pain: the sense of loss in grief and mourning or the sense of pity in anguish and suffering. She chooses the lexical vagueness of Pain to embrace all these facets of the emotion. In introducing the Element of Blank, it becomes the context that she thus examines pain. The exact context of Blank possesses a vagueness that suggests its own inadequacy of solid definition. Perhaps this sense of indefinition is the impression that this usage of Blank is meant to inspire. In this context, this blankness is suggestive of a quality of empty unknowingness that is supported by the next few lines: It cannot recollect When it begun. This inability to remember raises a major problem with respect to the nature of Pain; namely whether Dickinson is choosing to personify Pain by giving it a human quality like memory, or is in fact negating the humanity of making it unable to remember. Several lines below, she suggests that Pain does in fact possess some sort of limited sentient ability in recognizing Its Past enlightened to perceive. It is very possible that it is the Pain that is being enlightened or perceiving. These conscious acts of giving Pain some sort of capacity of aw areness personify Pain to some extent. In continuation of Pains inability to remember, She proceeds, It cannot recollect When it begun or if there were A time when it was not. Pains inability to recollect further personifies it by also making it subject to the human ability to forget. Dickinson thus not only personifies Pain, but makes it subject to the advance of time. This temporal placement of Pain, establishes Pain within the context of the progression of time by giving it a Past, a Future, and presumably, a Present. Although she places Pain within the context of time, she indicates it is not limited by time. Pains inability to remember its own origins strongly suggests an extreme span of time since its inception. This coupled with Dickinsons claim that It has no Future but itself, and that Its Infinite contain Its Past indicates some connection with the eternal. Here, the Infinite suggests not only the infinite sense of eternity, but a more spatial sense of the cosmos and the universality of the experience of Pain. This use of the future also serves the notion that Pain leads to more Pain, continuing in Dickinsons reference to Its Past enlightened to perceive New Periods of Pain. In this one stanza, she invokes the future and the past, maintaining that both are key to a cyclicality, where the Pain of the past, gives rise to the Pain of the present and future. That Pain contains an Infinite within itself supports this notion of Pain being cyclical, as it can thus ..remain dynamic yet eternal. That it is enlightened to perceive New Periods of the sensation of Pain suggests that a mechanism of this self-propagation involves the acknowledgement of past periods of Pain. The enlightenment thus becomes some sort of impetus for the propagation of the Pain experience as it continues from the past into the future. .u7b47d07fea80a1b64c1cd1563b95a831 , .u7b47d07fea80a1b64c1cd1563b95a831 .postImageUrl , .u7b47d07fea80a1b64c1cd1563b95a831 .centered-text-area { min-height: 80px; position: relative; } .u7b47d07fea80a1b64c1cd1563b95a831 , .u7b47d07fea80a1b64c1cd1563b95a831:hover , .u7b47d07fea80a1b64c1cd1563b95a831:visited , .u7b47d07fea80a1b64c1cd1563b95a831:active { border:0!important; } .u7b47d07fea80a1b64c1cd1563b95a831 .clearfix:after { content: ""; display: table; clear: both; } .u7b47d07fea80a1b64c1cd1563b95a831 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7b47d07fea80a1b64c1cd1563b95a831:active , .u7b47d07fea80a1b64c1cd1563b95a831:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7b47d07fea80a1b64c1cd1563b95a831 .centered-text-area { width: 100%; position: relative ; } .u7b47d07fea80a1b64c1cd1563b95a831 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7b47d07fea80a1b64c1cd1563b95a831 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7b47d07fea80a1b64c1cd1563b95a831 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7b47d07fea80a1b64c1cd1563b95a831:hover .ctaButton { background-color: #34495E!important; } .u7b47d07fea80a1b64c1cd1563b95a831 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7b47d07fea80a1b64c1cd1563b95a831 .u7b47d07fea80a1b64c1cd1563b95a831-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7b47d07fea80a1b64c1cd1563b95a831:after { content: ""; display: block; clear: both; } READ: Enlightenment Of 18th Century The enlightenment wa EssayTo highlight this sense of cyclicality, Dickinson completes the poem with the first word: Pain. She completes